3. 4. 2009 - Praha - Code Mode - Karlín Hall

On the flipside, “dubstep,” in what it means to its new found mass audience, has never been more dumbed down or formulaic. If someone finds dubstep for the first time by typing it into YouTube, they find mostly brostep idiocy by people who had no part in building the scene nor brought any original ideas with them when they arrived. In 2006, the tipping point year for dubstep, Loefah said in a documentary one of the reasons dubstep needed to be built was because the genres near it had become “formula-ed.” Four years later, large parts of dubstep are now fully “formula-ed.” — Blackdown